Category Archives: Submissions

“Race to the Inevitable” by Jen Gerry, with artwork by Damien Olsen

damien olson
We drown in your omnipresence, yet on and on you go.
Despite all efforts, and not subject to change, your internal rhythm drives only forward.
For we are slaves to it, and we are lost to you.
Finding ourselves.
Only for a moment, but long enough to realize that which we are.
We find ourselves again, only this time older. Where are we now? Who are we now?
Accelerate. Assess.
Over and over we do this.
Leaving behind artifacts to measure the distribution of life’s events.
The last of these items…our shell.
Hollow and unique in every attribute, yet quantifiably measurable in its length of existence.
We once filled the space inside of these vessels.
If untouched,  the vessels themselves would continue to fill space.
Each physical quantity begins to decay at its own half-life, and over time we become reduced, filling no space…nothing.

This has been “Race to the Inevitable” by Jen Gerry, with accompanying artwork by Damien Olson, the second installment in our Lost in Time series.

Jennifer Gerry is a local art maker in the Inland Empire. While pursuing an MS in pure/theoretical mathematics, she is the cofounder and acting director/choreographer for Mechanism Dance Theater, which is a collective movement project based in Pomona, California. Her work has been shown in a variety of local and regional venues from formal theaters to alternative performances spaces such as art galleries. As an apprentice with artistic director, dance professional and educator Gayle Fekete, Jennifer approaches dance-making in a multimodal way. Collaborations and cross-discipline connections have a tendency to keep things interesting and experimental.

On writting; the written word can be a consequence of the analytic and reflective mind, and the process has value which pertains to all mediums of art.

Damien Olsen ( 1961 ) 

NY based Multimedia Artist
An undergraduate student of Psychology.
Started his art career selling drawings and paintings in elementary school.
Studied Photography and worked as a graphic Journalist and advertising photographer .
Trained dance technics, martial arts, studied music composition with Raoul Bjorkenheim.

Every area of his work is inspired and driven by natural history, esoteric teachings and urban exploration.
His vast musical body of work focuses on the electronic music genres of Ambient, Post Dance, Cinematic, Acid/Psychedelic; Cocktail Music, Chillout, Trip Hop,
with a notorious jazz, Folk and Musique Concrète influence.


Excerpt from Marcin Zarzeczny’s “Jobless Actor Confessions: A Practical Comedy for One Actor, Preferably Unemployed”



You know what I think? I think that if an agent from a pretty good agency happened to be here now, I might be getting a phone call sometime soon. A few years ago, it really happened to me. Continue reading


“Mourning Day” by Aleksandra Djordjevic

She tells me,

“last night I dreamt my best friend died.”

Every day,

the getting up,

the (smallish) routine,

the idea that a single heart can be lost

haunts me with intense sincerity.

I tell her,

“we are all hearts


beating to the sound of Creation’s innate sorrow.”

So I pick up the shards of her heart,

sew them together,

make Valentines.

I call them

my own.

Best friend, I loved you as much as a heart could allow.

Best friend,
I was…

Your universe cut up and sewn back together again.

Aleksandra Djordjevic was born in Kingston, PA, and has attended the University of Scranton, PA, as well as Wilkes University. She has been published in, as well as in the short story anthology, The Smartest Kid in the Bronx. Ms. Djordjevic lives in Clarks Summit, PA.


Sleepless Stories: The Work of Rachel O’Donnell

SwingingSwinging, 30″ by 48″, acrylic & oil sticks on canvas, 2014

Born in Dallas, Texas, Rachel O’Donnell is an artist based out of the Brooklyn, New York area. With her BFA in Fine Art from Pratt Institute, she has spent the last five years pursuing an art career on the east coast. She has studied abroad and completed courses at Parsons Paris as well as London College of Fashion. Her work has been featured in art galleries, such as, The Painting Center, Westbeth Gallery, Greenpoint Gallery, and in the famed Seagram Building for a Gagosian Gallery sponsored show. She has also been published online by Vice Magazine and featured in the New York Times reviewed Bushwick Open Studios twice. Painting primarily portraits, Rachel O’Donnell’s work is known for its intriguing use of colors and expressionist qualities. Working primarily with acrylic paint and oil sticks, Rachel creates her works at her studio located in Bushwick, Brooklyn.
Continue reading


Paintings by Marc Moses

IMG_0519 No Time 2 Spare, 36″ x 36″, acrylic on canvas

I used to worry that I intentionally aimed for accessibility where so many of the artists I most admire, like de Kooning, aimed for the more abstract? Recently, though, I’ve begun to feel that if my orientation is toward the observer, it is partially because my transition from pure observer to artist occurred so late, and also because my vantage point is no longer at the center of the map. Now when I reach out to the observer, it is through the angles and abstractions of others who have pushed and distorted the envelope. Art is, for many, a spiritual endeavor. Still, I personally believe that it is in the context of a non-theistic world that artistic expression holds even greater significance. Every artwork does, in fact, represent its own particular affirmation of intentionality over randomness. It was an encounter with color later in my life that triggered my birth as painter, but it occurred decades after I had first learned to sketch, which I did sitting in on life-drawing classes a friend’s father taught at Parsons in my early teens. I developed some facility drawing with charcoal back then, but never considered venturing beyond black and white, where there is an obvious right or wrong. Color would, I worried, only introduce more complications and aware of my difficulty with decisions, as basic as buying toothpaste, it seemed safest to stay away from color.

phpThumb_generated_thumbnailjpgView from the Office, 36″ x 44″, acrylic on canvas

I continued to sketch sporadically over the years. Nevertheless, the feeling of being intimidated by color made it hard to take myself more seriously as an artist. Not until decades later, in the aftermath of a drug addiction and having lost my apartment, I ended up living at a city shelter on the lower east side. This shelter, however, had an art studio that had been sponsored and subsidized by a philanthropist with a true love for the arts. I can honestly say that I spent most of my waking hours at the shelter there in that art room. And given the shelter’s 6:00 a.m. wake-up call for breakfast, I had a lot of waking hours during that year. Rejecting a history of only sketching and drawing in black and white, I started exploring and I soon discovered a passion for color which has kept me painting ever since.

phpThumb_generated_thumbnailjpg-1L.E.S. 2012, 48″ x 48″, acrylic on canvas

Avoiding color was one of those decisions that had made perfect intellectual and logical sense. Also it is a decision which proved to be entirely wrong when I discovered a sensitivity to color that allows me to match a given color or shade. Had my life followed a less tumultuous path, many things would be quite different and it is most likely I would not be a painter, and that would be too bad because painting, more than anything else, really feels like what I should be doing.

To see more work by Marc Moses, visit his website at